An immensely enjoyable morning spent painting sunflowers @lodgefarmsunflowers. Not only can you ‘pick your own’, but there is homemade cake on sale, tea and coffee and all the money raised from the sale of them is going to charity.

This was a special commission to be given to the lady that has lived here and nurtured this beautiful garden for the last 60 years.  Her late husband is tending to the roses under the beech tree. Process pics in post.

Loving the way the ladder frames the flowers. Painted live ‘Blenheim Palace Flower Show’ in the showgarden of ‘Micklems Farm Flowers & Creative Workshops’

This was such a beautiful relaxed pose that encompassed her head, paws and tail all neatly in in the square…such a lovely composition. Process pics in post.

Happy with the result here, especially given it reached 36 degrees! That’s how it goes with ‘Plein air’ painting- conditions are rarely ‘ideal’! If it’s not too hot - it’s too cold, or windy or wet! That’s the challenge!

A fabulous long weekend spent with @micklemsfarmflowers painting LIVE in their show garden at @blenheimpalaceflowershow. I’m literally in flower painting heaven here! I’m also exhibiting my original floral oil paintings in the marquee.

These photos were taken by photographer Liz Tarren whilst the students painted flowers picked from the garden at Micklem’s Farm.

All ready for ‘Warwickshire Open Studios’, just time for one last flower painting!

8” x 8” oil on board

Staying in a property just behind the Tate Gallery in St Ives.. It had the most amazing views over the town and beaches. The sun rose to the right of my view and set on the left and it was fascinating to watch the light and shadows move slowly across the rooftops.

So called because I purposefully chose to limit my tonal range to only lights and mid-tones. Plus it’s part of a line from one of my favourite songs!

Roses from my garden, Cow Parsley from the lane.

So happy to find peonies in the shops at last :) Whenever I’m teaching painting I stress the importance of ‘working your edges’. Hard edges will always catch the eye more, so they need to be around the intended focal point. Soft edges will help set things into the background.

I dug these 2 blue bottles up from a bottle dump when I was a teenager and cleaned them up (I’m a sucker for coloured glass!).

Enjoying the shadow shapes and the combination of transparent and opaque paint in this simple floral still life.

I’ve been experimenting with different ways of painting this lilac arrangement…painting from life and seeing how thinly i can use the oil paint. This one is as subtle as a watercolour.

“I angled my brush and swept it round to make a mark…their instant observation was: “it’s almost calligraphic”… that’s exactly how it feels: deliberate, with intent, but also (I hope) style and flair.

I’ll be exhibiting my flower paintings @blenheimpalaceflowershow with @micklemsfarmflowers this summer…you’ll find me painting in their show garden!

I realised how much this vase looks like a lovely glass marble! I have to psyche myself up to paint those long sweeping strokes in the vase as you need to get them right first time for them to be effective.

I’m really enjoying setting up still life compositions where the shadow shape interacts with the main subject of the painting. I was super happy with how this one came together.